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Ours


The mountains lumbering over the meadow
like great elephants, their skin a lambent white:
we could have them but every day they are changing.
They are diminished to sparse outlines;
they are sandpaper-skinned and costly.
It isn’t ours anymore, and we are holding on,
one eye, one fraction of each of us
trained on hills that are hollow now –
and as for what lives we live separately,
we spend them cut down to that other half.
                        The train comes and goes
and its wheels sing their screeches
on rails thick with grit and rust and life,
and we sit in the shadow of the station;
we sweat there and we stir our stagnant drinks.
With every dry drag of breath we make it more impossible – and I won’t.
                        I won’t.
You see, for me-without-you the Ebro washes
up and overflows, not dry like the air around you
but rich and moist, the mud from its bank
clotted under my fingernails,
the breeze that runs over it
sipped cool into my lungs.
There is no space in the crisp solid white of my mind
for the shadows of clouds.
The whole world, it isn’t ours anymore –
                                                       it is mine.
©2006-2009 ~insanexflame
:iconinsanexflame:

Author's Comments

second of two poems inspired by ernest hemingway's "hills like white elephants," and third of a set of three poems exploring the nature of love.
november 2006.


please be sure to read the first: [link]
and the second: [link]

these are love poems, but they are not about love, nor are they about the object of any affection. rather, they are about the way in which I love. they are meant to be read together, and together they are a journey, as writing them has been a journey for me.

it's difficult, really, to explore how one loves - as difficult as it is to explore that complex emotion itself. poetry's been my best means of doing so, as of yet.

Comments


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:iconshadow-waker:
i love the images in this :) beautiful. and the first four lines are incredible.

--
and in that moment

the shadows of our lives
flit past our very eyes

and we fall away and die.



oh crap, sorry. too much happy-rainbow-bunniness for you?
:iconchew-on-that:
interesting. this has a wonderful feel of empowerment to it i like. :)

so the train left the station...i'm not sure if i'm reading this right, but has the girl decided not to get the abortion in your piece? cause the idea of the mud made me think about fertility and life.

--
i knew you were dead when you opened your eyes.
:iconanurbannomad:
This whole trio is just gorgeous.
:iconalecbell:
The poems form a satisfying whole, which combines the motion of travel with the arrest of an emotional impasse.

Beautifully realised.

(favourite this poem as the last of the three, thereby, I hope, favouriting the whole.)

--
There's always a better poem just out of reach.

Words create situations [link]

The roots of the future run deep [link]
:iconderby115:
You see, for me-without-you the Ebro washes

I was wondering if you had read The Sparrow by Mary Doria Russell? In her book there is an interesting Linguistic concept relating to Me-without-you.

Anyways, beautiful series.

--
Sabor, always
:iconrocamiadesign:
:wave: This has been featured in the news article, SHAMEFULLY UNDERFAVED - THE SEQUEL. Thanks for allowing me to share it!

--
I fave Cat Art!

THE LINK SYSTEM, CHECK IT OUT.

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November 13, 2006
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